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Brianna Hildebrand to Star in Netflix's Series Adaptation Trinkets

Brianna Hildebrand to star in Netflix’s series adaptation Trinkets

According to Deadline, Deadpool actress Brianna Hildebrand has signed on to star in Netflix‘s upcoming 10-episode series adaptation of author Kirsten “Kiwi” Smith’s young adult novel Trinkets. In addition to Hildebrand, Kiana Madeira (The Flash) and Quintessa Swindell (Utopia) are also set to take lead roles.

Trinkets follows the story of three teenage girls from different corners of the high school cafeteria: Elodie, the grieving misfit; Moe, the mysterious outsider; and Tabitha the imperfect picture of perfection. They will find themselves in the same mandated Shoplifters Anonymous meeting, and will form an unlikely bond with each other. They will find strength in one another as they go through family issues, high school drama and the complicated dilemma of trying to fit in while longing to break out.

The cast includes Hildebrand as Elodie, Madeira as Moe and Swindell as Tabitha along with Larry Sullivan (Big Little Lies) as Doug, Brandon Butler (13 Reasons Why) as Brady, Odiseas Georgiadis as Noah, Henry Zaga as Luca, October Moore as Vicky and Larisa Oleynik (Mad Men) as Shawn.

Each episode will be half-hour long with Amy Andelson, Emily Meyer and Smith co-adapting Trinkets‘ screenplay. Linda Gase is set to be the series’ showrunner and will also serve as executive producer along with Andelson, Meyer and Smith. Shelley Zimmerman, Brin Luken and Rebecca Glashow will also be executive producers. Sara St. Onge has been tapped to direct the first two episodes.

Hildebrand is best known for her role as Negasonic Teenage Warhead in superhero films Deadpool and Deadpool 2 alongside Ryan Reynolds (6 Underground). Her film credits also include the romantic drama First Girl I Loved and the dark comedy film Tragedy Girls.

(Photo Credit: Getty Images)

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Netflix’s Armistead Maupin’s Tales of the City limited series, which features LGBTQ people in front of and behind the camera, has added more cast members to the vibrant and diverse world of modern-day Barbary Lane.

Joining the cast of Armistead Maupin’s Tales of the City as series regulars are: Paul Gross (Due South, Alias Grace) reprising his role as Brian Hawkins, ex-husband of Mary Ann Singleton (played by Laura Linney) and father of Shawna Hawkins (played by Ellen Page); Murray Bartlett (Looking) playing the lovable Michael “Mouse” Tolliver, a longtime resident at Barbary Lane and Mary Ann’s best friend; Charlie Barnett (Chicago Fire) playing Mouse’s boyfriend Ben Marshall; newcomers Josiah Victoria Garcia playing the role of Jake Rodriguez, a newer resident on Barbary Lane who is a transgender man and a caregiver for Anna Madrigal (played by Olympia Dukakis) and May Hong (High Maintenance) as Jake’s long-term girlfriend Margot Park.

Inspired by the books by Armistead Maupin, this next chapter — Armistead Maupin’s Tales of the City — follows Mary Ann (Laura Linney), who returns home to San Francisco and is reunited with her daughter (Ellen Page) and ex-husband Brian, twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann returns home to her chosen family and will quickly be drawn back into the orbit of Anna Madrigal (Olympia Dukakis) and the residents of 28 Barbary Lane.

Previously announced cast includes Academy Award nominee and Emmy, SAG and Golden Globe Award-winning actress Laura Linney and Academy Award and Golden Globe winner Olympia Dukakis reprising their roles as Mary Ann Singleton and Anna Madrigal. Academy Award, BAFTA, Golden Globe, and SAG Award nominee Ellen Page joins the cast as Shawna. Barbara Garrick returns as DeDe Halycon Day.

RELATED: Netflix Orders Armistead Maupin’s Tales of the City Limited Series

Among the talented roster of recurring cast members are: Jen Richards (Her Story) playing a young Anna Madrigal, Daniela Vega (A Fantastic Woman) as Ysela, a trans woman who plays a pivotal role in Anna’s life; Michelle Buteau (First Wives Club) as Wren, Brian’s no-nonsense best friend; Ashley Park (Broadway’s Mean Girls) and Christopher Larkin (The 100) as twins Ani and Raven who are newer residents of Barbary Lane; Caldwell Tidicue aka “Bob the Drag Queen” (RuPaul’s Drag Race) as Ida Best, the manager of a burlesque club where Shawna and Margot work; Matthew Risch (Modern Family, Looking) as Mouse’s ex-boyfriend Harrison; Michael Park (Dear Evan Hansen) as Mary Ann’s husband Robert; Dickie Hearts (Grace & Frankie) as Mateo, DeDe’s housekeeper; Benjamin Thys (The Meyerowitz Stories) and Samantha Soule (Godless) as a queer polyamorous married couple Eli and Inka; and Juan Castano (The OA) as Ben’s co-worker Flaco Ramirez.

Currently in production, the series spotlights LGBTQ people both in front of and behind the camera. Showrunner / Executive Producer and writer Lauren Morelli (Co-Executive Producer and writer Orange Is the New Black) and Producing Director and Executive Producer Alan Poul (Tales of the City, Six Feet Under, The Newsroom), who are both part of the LGBTQ community, assembled an entirely queer writing team comprised of Andy Parker, Patricia Resnick, Marcus Gardley, Jen Silverman, Hansol Jung and Thomas Page McBee to create the authentic and multigenerational LGBTQ characters and stories.

Talented directors who are also part of the LGBTQ community including Silas Howard, Sydney Freeland, Stacie Passon and Kyle Alvarez bring the vibrant, warm and colorful world of Barbary Lane to life. Transgender people involved in the production include: Josiah Victoria Garcia (Jake) a non-binary trans actor who uses they/them pronouns; Jen Richards (young Anna Madrigal) a trans woman who starred in and was a writer and producer on the Emmy-nominated web series Her Story, about dating as a trans woman; Daniela Vega (Ysela) a trans woman and the lead of the Academy Award-winning film A Fantastic Woman; writer Thomas Page McBee; and directors Silas Howard and Sydney Freeland.

Armistead Maupin’s Tales of the City is a Working Title Television and NBCUniversal International studios production for Netflix. Armistead Maupin and Laura Linney executive produce along with Morelli and Poul. Additionally, Working Title’s Andrew Stearn, Liza Chasin, Tim Bevan, and Eric Fellner also executive produce. Michael Cunningham, author of the Pulitzer Prize-winning novel The Hours, serves as a consulting producer.

Poul served as Producer on the original Tales of the City, and Executive Producer on More Tales of the City and Further Tales of the City, which earned a Peabody Award and multiple Emmy Award nominations.

The 10-part Netflix original limited series will debut in 2019.

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Two weeks after ordering the series, Netflix has cast Bones‘ Tamara Taylor and The OA‘s J.C. MacKenzie in the lead roles for the upcoming adaptation of October Faction, according to The Hollywood Reporter.

RELATED: Netflix Adds 3 Sci-Fi Series: The I-Land, October Faction & Warrior Nun

Building on the success of the IDW comic book series written by Steve Niles, October Faction follows globetrotting monster hunters Fred and Deloris Allen who, after the death of Fred’s father, return to their hometown in upstate New York with their teenage children Geoff and Viv. As the family adjusts, Fred and Deloris must hide their identities as members of a secret organization, and our heroes quickly discover that their new small-town setting isn’t as idyllic as it seems.

Taylor is most notable for her role on the Fox crime drama Bones, appearing in every episode from season two to the series finale, while having most recently appeared in another Netflix adaptation, Altered Carbon. MacKenzie is well-known for his work on television, appearing in the short-lived Fox sci-fi actioner Dark Angel alongside Jessica Alba and HBO’s Vinyl alongside Bobby Canavale.

Damian Kindler serves as creator, showrunner, and executive producer for the 10-episode series. Directors include Director X (Superfly, Mister Tachyon), Kindler, Megan Follows (Reign, Anne of Green Gables), Mina Shum (Meditation Park, Ninth Floor), and David Frazee (Vikings, Orphan Black).

RELATED: Altered Carbon Renewed for Season 2 with Anthony Mackie as Lead

Producers include John Calvert (X Company, Anne with an E) and Mohamad El Masri (Here and Now). James Thorpe, Steve Niles, Thomas Walden, and Eric Birnberg serve as executive producers, with George Strayton (Xena: Warrior Princess) and Melissa Blake (Sleepy Hollow) set to co-executive produce.

October Faction is produced by High Park Entertainment in association with IDW Entertainment. IDW Entertainment is the worldwide distributor (excluding Canada) for the series.

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Netflix has released the official trailer and key art for their upcoming comedy-drama series The Kominsky Method, starring Michael Douglas (Wall Street, Ant-Man and the Wasp) and Alan Arkin (Argo, Dumbo). Check out the trailer below, as well as the key art and new photos in the gallery!

The sun isn’t setting yet on the once famous Sandy Kominsky and his longtime agent Norman Newlander. Academy Award Winners Michael Douglas (Kominsky) and Alan Arkin (Newlander) star as two friends tackling life’s inevitable curveballs as they navigate their later years in Los Angeles, a city that values youth and beauty. Both comedic and emotional, The Kominsky Method is an 8-episode, half-hour single-camera show created by 8-time Emmy Award Nominee Chuck Lorre.

The Kominsky Method also features Nancy Travis, Sarah Baker and guest stars including Lisa Edelstein, Emily Osment, Graham Rogers, Danny Devito, Ann-Margret, Jay Leno, Patti LaBelle, Ashleigh LaThorpe and more.

The series is written by Al Higgins, David Javerbaum and Chuck Lorre, who also directed the first episode. Lorre, Higgins and Michael Douglas executive produce the series which is produced by Chuck Lorre Productions, Inc. in association with Warner Bros. Television.

The Kominsky Method will have its world premiere at AFI Fest on Saturday, November 10 in Los Angeles. The festival will premiere the first three episodes of the series, which is the first scripted episodic to be presented as a Gala Screening at the festival. The series will then launch on Netflix on November 16.

The Kominsky Method

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With the highly anticipated horror drama series The Haunting of Hill House arriving on Netflix this week, ComingSoon.net had the chance to talk with Paxton Singleton (Alice Fades Away, The Rookie) over email, who plays the young version of Steven Crain, the eldest brother in the series. Check out the interview below, and be sure to catch season one of The Haunting of Hill House launching this Friday on Netflix!

RELATED: Haunting of Hill House Featurette Goes Behind-the-Scenes with Mike Flanagan

A modern reimagining of Shirley Jackson’s iconic novel of the same name, The Haunting of Hill House will explore a group of siblings who, as children, grew up in what would go on to become the most famous haunted house in the country. Now adults, and forced back together in the face of tragedy, the family must finally confront the ghosts of their past — some of which still lurk in their minds while others may actually be stalking the shadows of Hill House. Created, directed and executive-produced by horror mastermind Mike Flanagan (Gerald’s Game), The Haunting of Hill House is a complex family drama wrapped in a chilling horror story. Trevor Macy serves as executive producer alongside Flanagan. Meredith Averill acts as co-showrunner and executive producer. Justin Falvey and Darryl Frank executive produce, as well.

The cast includes Michiel Huisman (Game of Thrones), Carla Gugino (Gerald’s Game), Timothy Hutton (All The Money In The World), Elizabeth Reaser (Twilight), Oliver Jackson-Cohen (The Healer), Henry Thomas (Better Things), Kate Siegel (Hush) and Victoria Pedretti (Sole).

The Haunting of Hill House was written, directed and executive produced by Mike Flanagan. His producing partner Trevor Macy also executive produced alongside Amblin TV’s Darryl Frank and Justin Falvey.

ComingSoon.net: What can you tell us about your character?

Paxton Singleton: You know, he’s just a nice, loving kid. He’s very protective of his siblings and wants to please his parents by doing things like helping around the house. He’s at an age where he’s maturing into a man. His dad sees that and is trying to treat him more like an adult.

CS: Did you work closely with Michiel Huisman to develop Steven from when you played him as a kid versus Michiel playing him as an adult?

Singleton: Michiel and I did not get to work very closely together because we weren’t on the set together very much. School kind of gets in the way of any extra time. But, a good example of how we worked together to develop the character was when we both had the same line. If the character says the same line as a kid and an adult, it’s probably something he’s said many, many times. Just a quick conversation with Michiel was enough to establish the way that line would be treated by both the younger and older version.

CS: Have you read Shirley Jackson’s book that the series is based on?

Singleton: Will I get in trouble if I say “no”? Ha! I mean, my mom has. Does that count? The book is the inspiration for the series. In most ghost stories, there’s a ghost living in a house that terrorizes the family inside. In The Haunting of Hill House, the book and the series, the house itself terrorizes the people that live there. The house is a character.

CS: When Steven grows up he’s a skeptic of the supernatural. How does young Steven initially react when terrifying things start happening in the house?

Singleton: He’s in denial. There are things happening all around him that he refuses to see.

CS: This was your first time really diving into the horror genre. How did you prepare to play young Steven? Did you have to balance being the older brother of a group of siblings with how he dealt with being a kid living in a haunted house?

Singleton: I really felt a personal connection with Steven. He and I are alike in a bunch of ways. I have a younger brother that I do feel protective of. I mean, we do argue, but we really take care of one another. Steven is unique in that he is in denial that the house is haunted, so when he tells his siblings that everything is going to be ok, he believes it. He tries to rationalize everything that’s taken place.

CS: Steven ends up becoming an author and writes an autobiography about growing up in the house. Do we see the writing bug in young Steven in the flashbacks?

Singleton: Not really. He seems to be more interested in stereotypical teenage boy stuff. His room is filled with video games, baseball cards, sports equipment, a guitar. He spends most of his time working with his dad.

CS: This role was your first time playing a series regular. What did you learn or take away from the experience that will stick with you throughout the rest of your career?

Singleton: There is so much I learned. I can’t really say it all. It was just everything. I learned how to keep from blocking someone’s light from Annabeth Gish. With Mike Flanagan as the director, he was constantly giving tips that I’ll use for the rest of my career. I worked with Henry Thomas so much. Just watching him work was a learning experience. Not to mention, just learning about how a show like this is made every day. The production value was so impressive! From the camera crew, lighting, sound, costumes; there was something to learn from everyone.

CS: What was it like working with Mike Flanagan?

Singleton: Working with Mike was incredible in so many different ways. I got to see firsthand what a hard worker he is… and also how much he loves pizza. (Go on his Instagram. It’s literally all pizza). He has a clear vision in his head, and he’s so good at explaining it in a way that everyone in the room knows what to do.

CS: You wrapped filming in April. Have you stayed in touch with your costars?

Singleton: Mckenna Grace, of course. My partner in crime and best friend on set. I’ve been in Los Angeles lately, so I’ve been able to actually see her recently. Of course, with social media, it’s easy to keep up with everyone. Not just the cast. I also try to follow crew members, people from the production office, catering… everyone.

CS: Any fun memories working with your costars you’d like to share?

Singleton: Every time I went anywhere with Mckenna she was recognized, so guess what I got to be? Her personal photographer for fans.

CS: Are you a horror fan? Did you ever get freaked out on set?

Singleton: Heck no! I am a scaredy cat! I will jump straight out of my skin if I watch something scary. I never got freaked out on set, though. There’s just too much going on.

CS: The show is already 100% on Rotten Tomatoes (at the time of the interview) and the first season hasn’t even premiered yet. How cool is that?

Singleton: I’m just in awe.

The Haunting of Hill House

(Photo Credit: Getty Images)

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According to Deadline, Rodrigo Santoro (Westworld), Amy Landecker (Transparent), rapper Colson Baker aka Machine Gun Kelly (Nerve) along with Allen Maldonado, Andrene Ward-Hammond and Kyanna Simpson have been cast in Netflix’s upcoing untitled sci-fi thriller. Jamie Foxx, Joseph Gordon-Levitt and Dominique Fishback are set to lead the untitled film from Henry Joost and Ariel Schulman (Nerve).

RELATED: Shonda Rhimes and Matt Reeves Developing Sci-Fi Universe For Netflix

The story, which is written by Mattson Tomlin (Solomon Grundy), is currently being kept under wraps, with Eric Newman and Bryan Unkeless’ Screen Arcade set to produce the feature. Newman has been working with Netflix since its second original series Hemlock Grove as well as crime drama Narcos, as well as one of the last major hit original movies Bright, as well as producing some big screen hits including Zack Snyder’s debut Dawn of the Dead, The Last Exorcism and the Oscar-winning Children of Men.

Unkeless recently produced the Oscar-winning I, Tonya, as well as The Hunger Games franchise, the critical and commercial hit Crazy Rich Asians and the acclaimed Netflix sports drama First Match, and is one of the producers for the in-development Birds of Prey spin-off and Bright sequel.

RELATED: Wingmen: Joseph Gordon-Levitt to Direct R-Rated Musical

Gordon-Levitt was most recently seen in the Amazon Prime buddy cop series Comrade Detective and Star Wars: The Last Jedi last year and as the Roast Master for The Comedy Central Roast of Bruce Willis and is currently filming the upcoming action thriller 7500. Foxx returned to the big screen in 2017 after a three-year hiatus, starring in the critical and commercial failure Sleepless followed by a supporting role in the acclaimed smash action thriller Baby Driver, and is set to star in the upcoming new take on Robin Hood alongside Taron Egerton (Kingsman: The Golden Circle).

(Photo credit: Getty Images)

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Christmas has come early this year with the released of Netflix‘s official teaser for their upcoming holiday comedy The Christmas Chronicles. Featuring Kurt Russell (The Hateful Eight, Big Trouble in Little China) as the cooler version of everyone’s favorite legendary holiday figure Santa Claus while also giving us a glimpse of the movie’s adorable CGI elves, you can check it out in the player below! The film will also star child actors Judah Lewis (The Babysitter) and Darby Camp (Big Little Lies). It is scheduled to premiere on November 22 at Netflix.

RELATED: Kurt Russell to Play Santa Claus for Netflix Movie

The Christmas Chronicles, a holiday adventure from producer Chris Columbus (Home Alone, Harry Potter) and director Clay Kaytis (The Angry Birds Movie), tells the story of sister and brother, Kate (Darby Camp) and Teddy Pierce (Judah Lewis), whose Christmas Eve plan to catch Santa Claus (Kurt Russell) on camera turns into an unexpected journey that most kids could only dream about. After staking out Santa’s arrival, they sneak into his sleigh, cause it to crash and nearly derail Christmas. As their wild night unfolds, Kate and Teddy work together with Santa – as you’ve never seen him before – and his loyal Elves to save Christmas before it’s too late.

Clay Kaytis (The Angry Birds Movie) directed the live-action movie, which will also have a CGI component. Matt Lieberman, who has several projects in development including The Addams Family animated movie, wrote the screenplay from a story he conjured with Designated Survivor creator David Guggenheim. Home Alone and Harry Potter director Chris Columbus will produce alongside Michael Barnathan and Mark Radcliffe for 1492 Pictures, with a January start date planned for a holiday 2018 release on the streaming service.

The Christmas Chronicles

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10 Things We Want To See In Netflix's The Last Airbender Remake

10 Things we want to see in Netflix’s The Last Airbender remake

The Last Airbender was a three-season long Nickelodeon cartoon full of heart, drama, intensity, great action, and humor. Thanks to its determined heroes and villains, beautiful animation, and a kick-ass score, it was a gem of 2000 television.

The 2010 live-action adaptation wasn’t quite the same thing. While M. Night Shyamalan went on to do way better things in the future, his film version of The Last Airbender took an epic Lord of the Rings-like story and crammed it into what felt like a depressing 90-minute audiobook. The movie was filled with exposition, cropped storylines, and missed the humor and character the show provided.

This year, Netflix announced a live-action adaptation of the story in the form of a show. (Those Paramount connections after Cloverfield and Annihilation must have really paid off.) Netflix has a real chance to make a show on par with Game of Thrones, one with a vast universe just waiting to be explored.

Here are some items we hope to see in the first season, or as it was called in the show, Book 1:

1. Real Bending

In the cartoon, fire benders used the energy of the sun as well as their own chi to create fire. In the 2010 film, they relied on lamps. What we want is quick and visually appealing bending, not six people swinging their arms around to lift a single rock. Both the original cartoon and The Legend of Korra showed that bending can make for awesome action and the remake should take advantage of it.

2. Zhao/Zuku Rivalry

The rivalry between Zuku, the banished son of the Fire Lord, and Zhao, a power-obsessed general, was one of the most dramatic parts of The Last Airbender‘s first season. What slowly began with friendly fights quickly turned to a ruthless challenge of finding the Avatar first. In the 2010 movie, Zhao (played by comedian Aasif Mandvi, because members of the Fire Nation had to appear to be of Indian decent in that movie) simply states “it’s a race then” and that’s basically it. We want to feel the growing hatred between two devoted men unraveling from episode to episode until the big face-off at the Northern Water Pole.

From Big Screen To Small Screen: Best TV Shows Based on Movies

3. Diversity

For the the 2010 film, Shyamalan had this idea of every bender being represented by a certain ethnic group. Air and water benders were Caucasian, fire benders were Indian, and earth benders were Asian. None of that make much sense, nor did it align with the diverse representation the creators established in the animated show. Our heroes don’t have to be all-white and our villains don’t have to be all people of color. We want a diverse cast in the same way the show had one.

4. Humor

One of the biggest mistakes M. Night Shyamalan made was erasing the humor from his screenplay drafts to keep the story “serious.” Even epics such as The Lord of the Rings or Harry Potter had serious themes as well as heroes who can have fun. Those aren’t contradictory.

5. Momo and Appa

When M. Night Shyamalan told his children (who inspired him to create an adaptation of the cartoon) that he might cut Momo from his film, the reaction wasn’t positive. Momo and Appa aren’t just comic relief, they’re how Aang and his crew move through a wide universe. Appa brings a close connection to Aang’s past while Momo serves as a useful (and funny) friend. They might be difficult to animate, but they matter to our heroes’ adventure.

6. Spirit World / Avatar Roku

The concept of the Avatar is one of a long cycle of people chosen to lead the way for peace in troubled times. Aang’s connection to previous Avatars isn’t just a cheap flashback, it’s a way for him to make choices in difficult situations.

7. Not Ozai’s Face

In the cartoon, Ozai is a slowly-revealed villain voiced by Mark Hamill. His face wasn’t seen in the first season. In the 2010 film, however, he just walked around talking. Let’s not do that again and keep Ozai’s face hidden for Book 1.

Related: All 12 M. Night Shyamalan Movies Ranked

8. Katara Power

Not only was the cartoon diverse, it also featured a strong woman. Katara took on an experienced water bender and challenged patriarchy while remaining likable and fun. In the 2010 adaptation, she bowed down to her male brother and teacher. Let’s not repeat that and instead allow Katara be Katara.

9. Bigger and Better

One thing the 2010 movie did really well was the building of big and grand sets. The world of The Last Airbender allows for gorgeous landscapes and establishments to be explored, so let’s explore them.

10. Kyoshi Warriors

While they were shot for the 2010 movie, the editing room got rid of the noble Kyoshi Warriors, an all-female, all-badass group of rural defenders whose leader has a tendency to fall in love with Sokka. They’re fierce, make for great action, and should be included in Netflix’s show.

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Post Malone joins Netflix’s film adaptation Wonderland

According to Variety, rapper/singer Post Malone has signed on for his debut acting role in Netflix’s forthcoming adaptation of Robert Parker’s Wonderland. The musician will star alongside Academy Award nominee Mark Wahlberg (The Fighter, The Departed, Mile 22) and Black Panther breakout star Winston Duke. In addition to Malone, Alan Arkin (Dumbo), Iliza Shlesinger (Instant Family), Bookem Woodbine (Overlord) and James DuMont (Patriots Day) have also been cast in the film.

RELATED:New Netflix October 2018 Movie and TV Titles Announced

Written by Ace Atkins, Robert B. Parker’s Wonderland is part of the Spenser series, which is named after a fictional character in a series of detective novels that was first written by Parker before Ace Atkins took over the series. Spenser is a character that is fresh out of prison and inevitably sucked back into Boston’s underbelly as he uncovers the truth about a sensational murder and the twisted conspiracy behind it.

Wahlberg is set to star in the film with Peter Berg (Friday Night Lights, Patriots Day, Deepwater Horizon) directing from an adapted script by Sean O’Keefe. Wahlberg will also produce the feature alongside Berg via his Film 44 banner, Neal H. Moritz via his Original Film banner and Stephen Levinson.  Film 44’s John Logan Pierson will executive produce alongside Toby Ascher.

RELATED: Rapper Lil Yachty Set to Star in How High 2

Wonderland is the fifth collaboration between Wahlberg and Berg, who previously worked together on Lone Survivor, Deepwater Horizon, Patriot’s Day, and Mile 22 which premiered on August 17 and already has a sequel in the works.

Robert B. Parker’s Spenser character has been the basis for 48 novels, which all became New York Time best sellers. Long acknowledged as the dean of American crime fiction, Parker was named Grand Master of the Edgar Awards in 2002 by the Mystery Writers of America, an honor shared with earlier masters such as Alfred Hitchcock and Ellery Queen.

(Photo Credit: Getty Images)

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Rosario Dawson may be hanging up her scrubs for good. The actor, who’s played Claire Temple, better known as The Night Nurse, in scores of the Netflix Marvel series may not return to the franchise, per a report from IndieWire.

Speaking at a panel at 2018 Tribeca TV Fest, Dawson spoke about her role in the small screen MCU. Specifically, after filming her break-up scene with Luke Cage in episode three of the show’s third season, she feels like the character may have completed her arc. “Who knows if I’ll come back again? This was looking like it was going to be a big final scene for Claire, and it was really as a culmination of three years and being on five different shows.”

Prior to their big crossover, The Defenders, Dawson’s Claire Temple was the thread that bound the sprawling, NYC-set shows together. When shooting that final scene, Dawson also gave some input on how it would play out. “When the scene was first written, to be honest, it was a little bit more written on his side and his storyline and that kind of stuff,” Dawson said. “And I approached Cheo and had the audacity of adding some lines and rewriting some stuff and asked him if that could work.”

Dawson will be seen next in Jennifer Kaytin Robinson’s Someone Great with Brittany Snow and Lakeith Stanfield, as well as the animated romp Henchman, both due out sometime next year.

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