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Freeform releases final extended Marvel’s Cloak & Dagger trailer

Freeform has released the final extended trailer for their series Marvel’s Cloak & Dagger. Check out the Cloak & Dagger trailer in the player below!

Marvel’s Cloak & Dagger is the story of Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph) – two teenagers from very different backgrounds, who find themselves burdened by and awakened to newly-discovered superpowers which are mysteriously linked to one another.

Marvel’s Cloak & Dagger is a coming-of-age series based on the beloved comic characters. Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph) come from starkly different backgrounds, each growing up with a secret they never dared share with another soul. The series is co-produced by Marvel Television and ABC Signature Studios. Joe Pokaski (UndergroundHeroes) will serve as showrunner and executive producer, Jeph Loeb (Marvel’s Luke CageMarvel’s Iron Fist), Marvel’s Head of Television and Jim Chory (Marvel’s Luke CageMarvel’s Iron Fist) will also serve as executive producers. Gina Prince-Bythewood (Love & Basketball) is set to direct the first episode.

The series also stars Andrea Roth (Rescue MeBlue Bloods), Gloria Reuben (ERMr. Robot), Miles Mussenden (BloodlineQueen Sugar), Carl Lundstedt (Grey’s AnatomyConviction) James Saito (Life of PiThe Devil’s Advocate), and J.D. Evermore (True DetectiveThe Walking Dead). Marvel’s Cloak & Dagger is co-produced by Marvel Television and ABC Signature Studios.

The highly-anticipated new series premieres on June 7 at 8:00 p.m. EDT with a two-hour event on Freeform.

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BBC Studios – Americas and Fathom Events are partnering to present the never-before-seen, 90-minute director’s cut of the hugely popular classic Doctor Who adventure, Doctor Who: Genesis of the Daleks, for a special one-night event on Monday, June 11 at 7:00 p.m. local time in more than 750 select movie theaters nationwide through Fathom’s Digital Broadcast Network (DBN). An exclusive interview with the Fourth Doctor, Tom Baker will follow this special version. Purchase your tickets here!

Following the cinema event, the complete season 12 of Doctor Who comes to Blu-ray on June 19, featuring fan-favorite Doctor Tom Baker.

The Fourth Doctor and his companions Sarah Jane Smith and Harry Sullivan are transported thousands of years into the past to the ancient planet Skaro where they are given a mission from the Time Lords to prevent the evil scientist Davros from introducing to the universe the most destructive race of killing machines ever created, the Daleks!

“We are excited to work with our long-standing partners at BBC Studios to bring our 17th joint cinema event, ‘Doctor Who: Genesis of the Daleks,’ to movie theaters across the U.S. and for fans to see Tom Baker on the big screen,” Fathom Events CEO Ray Nutt said. “Our Doctor Who events are always a great opportunity for Whovians to gather at the cinema and experience their favorite content together.”

“We continuously strive to provide special moments for Doctor Who fans and we think this is a really fun and unique opportunity to see the popular Fourth Doctor, Tom Baker in ‘Doctor Who: Genesis of the Daleks’ while surrounded by other Whovians in a theater setting,” stated Julie Dill, VP Franchise Marketing, Creative, and Partnerships, BBC Studios – Americas.

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Jack O’Connell and Lily Collins will star as a married couple in the upcoming film The Cradle, which is set to begin filming this summer, according to Variety.

The film, an adaptation of the 2009 novel of the same name by Patrick Somerville, follows young couple Matt (O’Connell) and Marissa (Collins) as they prepare for their first child and sees Matt embark on a journey to find the cradle Marissa had as a child to use for their child, gaining new insights about life and family connections.

The screenplay is co-written by Somerville along with Hope Dickson Leach, who burst onto the independent scene with last year’s acclaimed The Levelling and will be directing The Cradle, and will be produced by Protagonist Pictures, who will open the script to buyers at Cannes, which begins May 8.

Though having been in the industry for over ten years, the past five years has seen a major rise for O’Connell, who gained widespread recognition for his role as Louis Zamperini in 2014’s Unbroken, followed by major roles in the 2016 thriller Money Monster and acclaimed Netflix western Godless last year. Collins has been in the industry since the young age of two, but truly rose to popularity in 2009 with her role in The Blind Side and has continued to rise with highly received performances in last year’s To the Bone and Okja.

(Photo Credit: Getty Images)

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A series of character posters for the upcoming Teen Titans GO! to the Movies have been released featuring the members of the team offering some mild critiques for the heroes of Justice League. Check them out in the gallery below!

The animated film will feature the voice cast of the series, including Greg Cipes as Beast Boy, Scott Menville as Robin, Khary Payton as Cyborg, Tara Strong as Raven, and Hynden Walch as Starfire. In the film, they reprise their roles from the Cartoon Network series, which follows the crime fighting adventures and antics of the young Super Hero roommates. Will Arnett will voice Slade Wilson, Kristen Bell is Jade Wilson, James Corden is Balloon Man, Halsey is Wonder Woman, Lil Yachty is Green Lantern, and Nicolas Cage will voice Superman.

When the Teen Titans go to the big screen, they go big! Teen Titans GO! to the Movies finds our egocentric, wildly satirical Super Heroes in their first feature film extravaganza—a fresh, gleefully clever, kid-appropriately crass and tongue-in-cheek play on the superhero genre, complete with musical numbers. It seems to the Teens that all the major superheroes out there are starring in their own movies—everyone but the Teen Titans, that is! But de facto leader Robin is determined to remedy the situation, and be seen as a star instead of a sidekick. If only they could get the hottest Hollywood film director to notice them. With a few madcap ideas and a song in their heart, the Teen Titans head to Tinsel Town, certain to pull off their dream. But when the group is radically misdirected by a seriously super villain and his maniacal plan to take over the Earth, things really go awry. The team finds their friendship and their fighting spirit failing, putting the very fate of the Teen Titans themselves on the line!

The film is directed by Aaron Horvath and Peter Rida Michail, from a screenplay by Michael Jelenic and Horvath, based on characters from DC. Michail, Will Arnett and Peggy Regan are producing, with Sam Register, Jelenic and Horvath serving as executive producers. Apart from Arnett, all are Teen Titans GO! series contributors.

Set to hit theaters on July 27, Teen Titans GO! to the Movies will be distributed worldwide by Warner Bros. Pictures.

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AMC‘s Fear the Walking Dead 4.03 episode, titled “Good Out Here,” found Nick and Morgan paired up, allowing the very similar characters to form a very brief bond before a shocking turn of events resulted in tragedy. Next week’s episode shows Al documenting Alicia and Strand in the present while the Vultures continue their threatening presence outside of the stadium in the flashbacks. Check out the promo — and a sneak peek — for Fear the Walking Dead 4.04, “Buried,” in the player below, as well as some behind-the-scenes looks at Episode 4.03 and let us know what you thought about the gut-wrenching final moments of last night’s episode.

Last week’s episode established a balance between past and present which continued in “Good Out Here.” In the flashbacks, Nick is forced to destroy and burn his crops due to the weevil infestation. Those crops were Nick’s main way of contributing to the community, and now that his garden has been ruined, he finally decides to face the outside world and tells his mom that he wants to join her on a run to help her find food. Before Madison and Nick head out, they’re stopped by Vulture leader Mel, who taunts them about their lack of food and also gives back the book Luciana left for Charlie.

As they drive on, Nick asks Madison not only how she is able to stay so positive, but how she’s able to go outside of the stadium so much. He explains to her later that being out in this new destructive and violent world full of the dead feels more like a prison to him than being in the stadium does because he’s afraid of what the world outside of their community turns him into. Madison explains to her son that she always looks for something good. Little things that remind her of the good or, at least, of how people used to help each other or signs that they still do.

As they make their way to one of their pitstops in search of food, they come across one of the Vultures, Ennis, his blue El Camino, and Charlie. Ennis is carrying out crates of canned goods and supplies, and we learn that thanks to Charlie stealing a walkie from the stadium, the Vultures were able to listen in and pick the food stashes clean before Madison and Nick could arrive. Madison and Nick try to reach out to Charlie again, telling her she doesn’t have to do what the Vultures tell her if she doesn’t want to, but Ennis says he’s the one who found her and taught her how to survive. Ennis then taunts Nick about not being able to provide for his family, resulting in Nick lashing out by putting a knife to the Vulture’s throat. He manages to draw a bit of blood before Madison talks him down and the two take their leave.

After the intense confrontation, Nick is regretting reacting so violently in front of Charlie and worries about how she’ll see him — and them — now, especially when their goal was to try and get Charlie back into their community and away from the Vultures. Nick presses on the fact that he doesn’t like what the world turns him into and why he prefers staying inside of the stadium. Later on in the flashback, Madison stops the car to admire a grove of bluebonnets. She has found her one good thing on this outing, just as she said, and so has Nick, who lies down in the field amid the flowers.

During the episode, as has become the usual pattern this season, we cut into the present as each scene strikes a parallel between what’s happening with the group now and something significant that took place in the past. In the present, Morgan, Al, and John are still being held captive as they ride along in the SWAT van with Nick, Strand, Alicia, and Luciana. Al continues to tell the four that she’ll tell them where she found the Vulture’s flag, all they have to do is give her something in return: Their stories. When Al makes a move, a scuffle ensues in the back and the commotion, as well as a group of walkers on the road, causes Luciana to lose control, sending the vehicle and all of its passengers over the side of the road as they crash into a ditch.

The occupants are all alive, but now Morgan, Al, and John have the upper hand. Nick wakes up to find that he and the others are tied up and Al and John are attempting to get the SWAT van back on the road but the vehicle is stuck. Al decides that their new friends are going to help her, and Luciana mentions that she spotted a garage while they were driving that had some trucks they could use to pull the SWAT van free. Al ties Nick up to the van as insurance with Morgan offering to stay behind with him as the others go in search of a truck. While Morgan reads his pocket-sized The Art of Peace book, Nick asks if he can get him a snack. Morgan, knowing that he can overpower Nick, especially with his staff (which he proves when Nick tests that theory), simply cuts the younger man free and tells him he can get the snack himself.

Nick and Morgan’s bond begins to form when Nick shares half of his peanut butter protein bar with Morgan, a nice callback to The Walking Dead when Morgan once accused Michonne of eating his peanut butter protein bar (she did). Morgan later goes up to the street to perform his staff exercises while Nick decides to search the van. He eventually finds Al’s camera and watches her interview with Morgan, wanting to learn more about the man. Up on the road, Morgan sees a car coming and rushes back down to the SWAT van, telling Nick to get down. When Nick spots the blue El Camino, however, he shoves Morgan aside, who falls back against the van’s horn as Nick then chases after the car on foot. The now jammed horn attracts nearby walkers, leaving Morgan having to deal with the undead as the loud noise blares on.

Meanwhile, at the garage, Strand asks Al why she wants their stories so bad. She tells him that “the truth matters” even if it’s only heard once. Luciana recognizes that Al “knows her shit” while Strand and Alicia are confused by the woman. Down the road, Nick is still chasing the car when he suddenly pauses after spotting a patch of bluebonnet flowers. After picking one, Nick comes under attack by walkers but is saved by Morgan. The two make their way to an old pharmacy where Morgan can re-bandage his injured leg. Nick asks the older man why he helped him back at the flowers, and Morgan simply responds that he doesn’t kill.

Nick is curious about Morgan’s “karate” skills, and Morgan turns the conversation back to the blue El Camino Nick was chasing. Morgan, recognizing the vengeful and violent path Nick is on, warns Nick that seeking revenge won’t work out the way he thinks it will, no matter what the man — Ennis — did to Nick. Morgan shuts down, though, when Nick presses him about what happened to Morgan that caused him to “lose himself” and why he no longer wants to kill. As Morgan leaves Nick behind, the other group arrives back at the van whose horn is still blaring and is now swarmed with walkers. Morgan left behind an arrow made of sticks pointing out the direction he and Nick went. John and Luciana go after them as Alicia and Strand stay behind to help Al clear out the walkers and retrieve her SWAT van, whose inside contents are incredibly important to her.

Morgan suddenly comes across Ennis and his blue car, who is raiding another location for food and supplies. Morgan, knowing Nick isn’t far behind, warns the man to leave. Ennis laughs him off and doesn’t seem too concerned when he spots Nick in the distance. As Nick approaches, Morgan tries to stop Nick and the path he is about to take, but Nick, full of rage, asks if Morgan is going to do what it takes to stop him, knowing Morgan won’t. Morgan steps aside and leaves as Nick and Ennis fight, ending with the Vulture impaled on the bust of a deer and Nick slowly pushes the dying man onto its antlers. Morgan, after coming across the same patch of bluebonnets as before, decides to go back for Nick.

When a bloodied Nick sees that Morgan has returned, Morgan tells him that he lost his wife, son, and friends before losing himself. He tells Nick that he knows what he’s going through and has been there before, but that he was able to get himself out of it thanks to a friend that taught him that all life is precious. He hands over The Art of Peace to Nick, wanting the younger man to read it and telling Nick that they can talk about it after. Morgan has found himself becoming a mentor to Nick, wanting to help the young man because he feels that just like him, Nick can be saved from his rage and violence and the people the new world turns them into.

Morgan leaves Nick to read the book and greets the SWAT van as the rest of the group catches up with them. Inside, Al panics briefly when she finds the lock to her safe has been broken but is relieved when she finds that the tapes of people she has interviewed and recorded are all accounted for. Cutting back to Nick, he puts The Art of Peace in his back pocket, next to the bluebonnet he had picked earlier. Suddenly, a shot rings out. Charlie, who likely came across the dead Ennis, is holding a gun and flees as Nick calls her name before falling to the ground. Alicia, Luciana, and the others come running as blood spills from Nick’s mouth. As Alicia, Luciana, and Strand cry over Nick’s body as he dies, a distressed Morgan stands nearby alongside John and Al. The final scene cuts back in time as Nick lays in the grove of bluebonnets Madison found, and the young man closes his eyes, looking relaxed and peaceful before the episode cuts to black.

Fans are devasted after losing such a major character, but it’s important to note that it was confirmed on Talking Dead with Chris Hardwick after the episode that Frank Dillane, who plays the fan favorite character, had asked to leave the show at the end of season three because he wanted to pursue other projects. Frank left behind a message of love for the fans, cast, and crew, and spoke about how grateful he is to have been on Fear the Walking Dead. While we wish Frank all of the best moving forward, and we know we’ll see more of Nick in the flashbacks this season, it’s still hard to say goodbye to one of the original characters.

In season four of Fear the Walking Dead, we will see the world of Madison Clark (Kim Dickens) and her family through new eyes — the eyes of Morgan Jones (Lennie James), joining the story from the world of The Walking Dead. The characters’ immediate past mixes with an uncertain present of struggle and discovery as they meet new friends, foes, and threats. They fight for each other, against each other, and against a legion of the dead to somehow build an existence against the crushing pressure of lives coming apart. There will be darkness and light; terror and grace; the heroic, mercenary, and craven all crashing together towards a new reality.

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Ahead of the film’s May 19 premiere in France, a new full-length trailer for Terry Gilliam’s The Man Who Killed Don Quixote has arrived, giving us a better look at the story. Check out the international Man Who Killed Don Quixote trailer below!

RELATED: International Trailer for Terry Gilliam’s The Man Who Killed Don Quixote

A classic tale of fantasy and adventure inspired by the legendary protagonist of Miguel De Cervantes’ literary classic Don Quixote, the project is directed by highly-acclaimed filmmaker Terry Gilliam (The Fisher King12 MonkeysBrazilThe Imaginarium of Doctor ParnassusFear and Loathing in Las Vegas) and features a cast that includes Adam Driver (Star Wars: The Force AwakensPatersonSilence), previous Gilliam collaborator Jonathan Pryce (Pirates of the Caribbean films, The Brothers GrimmBrazilTomorrow Never Dies) as Don Quixote, Stellan Skarsgård (Our Kind of TraitorAvengers: Age of UltronGood Will Hunting), Olga Kurylenko (Quantum of SolaceOblivionTo the Wonder), Joana Ribeiro (Portugal Não Está à VendaA Uma Hora Incerta), Óscar Jaenada (Pirates of the Caribbean: On Stranger TidesThe Cold Light of Day), Jordi Mollà (CriminalIn the Heart of the Sea), Sergi Lopez (Pan’s LabyrinthDirty Pretty ThingsWith a Friend Like Harry) and Rossy de Palma (JulietaThe Flower of my SecretThree Many Weddings).

The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby, an advertising executive, for his trusty squire, Sancho Panza. The pair embark on a bizarre journey, jumping back and forth in time between the 21st and magical 17th century. Gradually, like the infamous knight himself, Toby becomes consumed by the illusory world and unable to determine his dreams from reality. The tale culminates in a phantasmagorical and emotional finale where Toby takes on the mantle of Don Quixote de la Mancha.

Gilliam penned the screenplay with Tony Grisoni, with whom he previously collaborated on Fear and Loathing in Las VegasTideland and The Brothers Grimm. Gerardo Herrero, Mariela Besuievsky, Amy Gilliam, Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup and Ukbar Filmes in association with Alacran Pictures, are producing with the participation of TVE, Movistar +, Eurimages and Wallimage. Amazon Studios has acquired distribution rights for the US, Canada and the UK, and Telemunchen for Germany and Austria.

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Marvel Studios‘ Avengers: Infinity War brought in even more than was estimated by Disney yesterday! The studio reports that the global opening weekend was actually $640.9 million, with $258.2 million coming from domestic theaters and $382.7 million from internationally territories (since starting its rollout on Wednesday). The domestic Sunday total ended up being $69.2 million, which breaks the previous Sunday record held by Star Wars: The Force Awakens ($60.6 million).

The previous worldwide opening record holder was The Fate of the Furious with $541.9 million, while the previous domestic opening record was held by Star Wars: The Force Awakens‘ ($248 million). The Fate of the Furious still holds the international opening record with $443 million, but that did include $185 million from China. Avengers: Infinity War is opening in China on May 11.

Receiving an A CinemaScore from audiences, the Anthony and Joe Russo-directed film stars Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Tom Hiddleston, Idris Elba, Peter Dinklage, Benedict Wong, Pom Klementieff, Karen Gillan, Dave Bautista, Danai Gurira, Letitia Wright, Winston Duke, Zoe Saldana, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, and Chris Pratt.

An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ Avengers: Infinity War brings to the screen the ultimate, deadliest showdown of all time. As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.

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American Gods Season 2 Begins Production

American Gods Season 2 begins production at House on the Rock

Starz, a Lionsgate company, and FremantleMedia North America’s (FMNA) sophomore season of the critically-acclaimed show, American Gods, will be giving fans what they have been waiting for – a meeting of the gods. Production kicked off last week on American Gods Season 2 at the Wisconsin roadside attraction, The House on the Rock, which is a quintessential location in Neil Gaiman’s acclaimed contemporary fantasy novel from which the series is adapted. The location is home not only to many unique collections but also serves as a backdrop to a pivotal moment in the series and book.

The first look photo of cast and executive producer Gaiman along with showrunner and executive producer Jesse Alexander takes place in the fabled Carousel Room. The start of production video teases what lies ahead in season two of the eight-episode one-hour scripted drama series returning to Starz in 2019. Make sure you check out this teaser below.

“The first season was all about getting to the House on the Rock,” says executive producer Neil Gaiman,  “It’s amazing to see everyone back, and to be entering the next stage of the story with the best bunch of actors around, along with some inspired filmmakers.”

The cast includes Ricky Whittle (The 100, Austenland) as Shadow Moon, Ian McShane (Deadwood, Ray Donovan) as Mr. Wednesday, Emily Browning (Sucker Punch, Legend) as Laura Moon, Pablo Schreiber (Orange is the New Black, The Brink) as Mad Sweeney, Orlando Jones (Madiba, Sleepy Hallow) as Mr. Nancy, Yetide Badaki (Aquarius, Masters of Sex) as Bilquis, Bruce Langley (Deadly Waters) as Technical Boy, Crispin Glover (Back to the Future) as Mr. World, Cloris Leachman (Malcom in The Middle, Raising Hope) as Zorya Vechernyaya, Peter Stormare (Fargo, Prison Break) as Czernobog, Mousa Kraish (Superbad, Fast & Furious) as The Jinn, Omid Abtahi (“Argo”) as Salim, Chris Obi (Snow White and the Huntsman, The Counselor) as Anubis, and Demore Barnes (Waco, 12 Monkeys) as Mr. Ibis.

American Gods has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula and Bram Stoker Awards for Best Novel. The plot posits a war brewing between old and new gods: the traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a conman but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities.

American Gods is produced by FremantleMedia North America. Jesse Alexander (Hannibal, Heroes) will serve as showrunner and executive producer this season. FMNA’s Stefanie Berk is executive producing the series along with Neil Gaiman, Ian McShane, Craig Cegielski and Scott Hornbacher.  Chris Byrne (Star Trek Discovery, Hannibal) is directing the premiere episode and will co-executive produce along with Heather Bellson and Rodney Barnes. Lisa Kussner will produce. Senior Vice President of Original Programming Marta Fernandez and Manager of Original Programming Kathleen Clifford are the Starz executives in charge of American Gods.

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Final Book Club trailer promises granny romance galore

Paramount Pictures has released the final trailer for Book Club, the new comedy starring Diane Keaton (Something’s Gotta Give, The Family Stone), Jane Fonda (Barbarella, Monster-In-Law), Candice Bergen (Murphy Brown, Miss Congeniality), Mary Steenburgen (Step Brothers, Back to the Future Part III), Craig T. Nelson (Coach, The Incredibles) with Andy Garcia (Ocean’s Eleven, The Godfather: Part III) and Don Johnson (Django Unchained, Miami Vice). Check out the Book Club trailer below!

Diane (Keaton) is recently widowed after 40 years of marriage. Vivian (Fonda) enjoys her men with no strings attached. Sharon (Bergen) is still working through a decades-old divorce. Carol’s (Steenburgen) marriage is in a slump after 35 years. Four lifelong friends’ lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter.

The script for Book Club was written by A Walk in the Woods writer Bill Holderman, who also directed the film. Join the club when the movie hits theaters on May 18, 2018.

Are you guys interested in Book Club? Let us know in the comments below!

Book Club

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Charlie Chaplin documentary will take us deeper into iconic figure

Altitude and Showtime have announced today that they are teaming up in representing worldwide rights to Chaplin, the upcoming second feature documentary from Peter Middleton and James Spinney, three-time BAFTA nominees for Notes on Blindness. Chaplin is the working title for the film.

Altitude is handling international rights for the film and will be introducing the project to buyers at Cannes. Showtime has North American rights.  Altitude has also acquired distribution rights to the film for the UK and Ireland.

Chaplin is being funded by the BFI, awarding funds from the National Lottery, Film4 and Showtime.  Further support comes from the BFI National Archive’s world-class collections and Chaplin’s World by Grévin. Chaplin’s World is a museum, housed in the historic ‘Manoir de Ban’ in Vevey, Switzerland where Chaplin lived for 25 years. It will act as a shooting location for sequences set during the latter stages of his life.

Chaplin is both the ultimate rags-to-riches story and a revealing, poignant and definitive portrait of cinema’s most iconic figure. Groundbreaking, controversial, outspoken, visionary; for decades he was the most famous man in the world – but who was the real Charlie Chaplin?

BAFTA-nominated filmmakers Middleton and Spinney have gained unprecedented access to Chaplin’s personal and creative archive, including a treasure trove of previously unknown material. Through unseen outtakes and newly unearthed audio recordings, Middleton and Spinney will chart Chaplin’s escape from an impoverished childhood in late-Victorian London to the bright lights of Hollywood at the dawn of cinema. But although his fictional alter ego the ‘Little Tramp’ brings him global fame and total artistic control, turbulent creative anxieties, successive personal scandals and a controversial political voice ultimately lead not only to the demise of his beloved character, but his rejection from America and self-imposed exile.

Smaller Biggie Productions’ Ben Limberg and Passion Pictures’ John Battsek will produce alongside Mike Brett of Archer’s Mark, bringing award-winning experience from previous films including Listen to Me Marlon and Notes on Blindness.

Mike Brett of Archer’s Mark said: “Peter and James are two of the most creatively ambitious filmmakers out there, and they are constantly pushing the boundaries of storytelling for the screen. As an unparalleled innovator and agitator in the field of cinema, Chaplin is a fitting subject for this ground-breaking film.

Peter Middleton and James Spinney said: “We feel incredibly lucky to have been welcomed by the Chaplin family into their archives. To find new perspectives on the life and work of one of the icons of the 20th century, who has left an indelible mark on popular culture, is a huge and exciting challenge. Chaplin described his life as a ‘fairy tale’, and its themes of inequality, power, celebrity and artistry couldn’t be more relevant today.”

Vinnie Malhotra, Snr. Vice President Documentary, Unscripted & Sports at Showtime said: “Chaplin is the most iconic figure in film history, and as a result, is bathed in mythology. With unprecedented historical resources at their disposal and a keen eye for complexity and nuance, Peter and James will bring us the most definitive and rewarding exploration of Chaplin’s remarkable life.”

Will Clarke, Chairman and co-CEO of Altitude said: “Chaplin will be the definitive story of one of the world’s biggest and most powerful stars whose extraordinary life courted adulation and controversy.  This will be Chaplin as never seen or heard before revealed through the breathtaking beauty and innovatory techniques that Peter and James bring to their filmmaking.”

Lizzie Francke from the BFI said: “We are delighted to be working with Peter and James and the incredibly talented team behind Notes on Blindness.  Their creatively innovative approach to such an iconic figure as Chaplin promises a definitive and vivid portrait, making this pioneering figure of early cinema relevant to 21st century young audiences as much as classic film fans.”

Sam Lavender from Film4 said: “Chaplin was the first ever truly global screen celebrity, and a man with an extraordinary life story. Peter and James captivated us utterly with their vision for this film and their fascination with the man – we couldn’t be more thrilled to be a part of this journey.”

Ben Limberg of Smaller Biggie said: “Chaplin’s family have been enormously supportive and helpful in the making of this film. And through the wonderful Kate Guyonvarch, who runs the Chaplin estate, we have exclusive access to the entire Chaplin library, an extraordinary collection of materials. Mixed with breathtaking new audio of Chaplin speaking about his life and work it is truly humbling to be making such an exciting film about the father of cinema.”

John Battsek of Passion Pictures said: “As soon as I saw Notes On Blindness I knew I wanted Passion Pictures to be part of producing Peter and James’ next film. When Ben Limberg approached me with the idea of Charlie Chaplin as a subject, I saw the stars aligning. With Showtime, BFI, Film4 and Altitude as partners I couldn’t be more delighted that we are now all embarking on this journey together.”

Chaplin is a Passion Pictures, Archer’s Mark and Smaller Biggie production, in association with Fee Fie Foe.

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